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‘Dearly beloved, we are gathered here today to get through this thing called life….’ like a James Brown sermon in The Blues Brothers, we open this album with Prince the Preacher dictating to us his understanding of life and the after world. He is about to give us his greatest lesson like Sammy Davis Jr telling us to take a dive and swim to Daddy…our eyes are opened as well as our ears. We get ready for a lesson in throwing away care, kicking troubles in the groin and tweaking the nose hairs of strife, yes, its Prince giving us a taste of the album complete with ecstatic keyboards and low guitar riffs. We hear the artist’s adaptation of rock, pop and anything gloriously arrogant.
‘Lets Go Crazy’ should speak for itself. A mad rush of energy pours out of our speakers and into our brains. We will emerge from this experience fully cleansed and enlightened. I believe that any sudden burst of frighteningly fast drum machines and hysterical guitars good for the soul. It would not be Prince without some yells and screams. This might be the only album where listening is just as good as the visual. We don’t need to see Prince having it off with a microphone stand or running his tongue up and down a fret board (ouch), we can experience the whole live thing straight through our speakers. One thing is for sure, this album aims to please, excite, and begs for applause. Prince wormed his way into our hearts and our record collections with this enchanting piece of theatrical performance. There is not much left out of this irrational piece of basically going wild with no sense of direction. One will either love it or hate and skip the rest of the album.. If you keep going with it, listen with an open mind.
‘Take Me With You’ seems to be a bit of a come down after all the excitement of this first track. A ‘duet’ with unknown female artist, ‘Apollonia.’ Prince has always been famed for using good female backing singers with good , strong voices and bringing them to the fore. There are one or two names from the past who owe the start of their careers to Prince. One tends to get the feeling that Prince is very pro women in the industry. As well as constructing his own talent, he sought after creating the same from others. An introduction with hap hazard drums we find ourselves in amongst tambourines and cymbals and enjoying a pretty song that’s catchy, inoffensive and perhaps a little childish in its form. Prince went through a stage of using violins to enhance a record. ‘Raspberry Beret’ was a classic example of using this method. They give femininity to a song and allow the track a fair chunk of jollity and optimism. One to skip along holding hands to….if your twelve.
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